Name: John
Dinsdale
(b) How did the
constraints you have described under heading (a) affect the work you produced
for Unit 5?
(Maximum marks 8)
Legal restrictions
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Legal Area
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Explain how the following affected
your production and the processes that you followed to complete your product.
What could/couldn’t
you do? What subjects/stories matter could you include? What subject/stories
matter couldn’t you include? What processes did you follow ensure compliance
with the code?
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Libel
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To adhere to this constraint, I
had to keep my content free of defamatory comments that were not claimed to
be opinion. This would have been seen as libel. However since my articles
were educational and critical, as long as I claimed the statements I said to
be opinion I adhere to the constraint and cannot be accused of libel. I also
directly avoided referencing companies as much as possible. This didn’t have
a negative impact on my product as it made my articles feel much more
generalised and less of an attack on the companies.
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Trespass
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I chose local and public areas to
conduct photo shoots that would not be trespassing on private land. This
slightly affected my product as I could not use a field to shoot in but the
park was a decent substitute for my war-based article. The other location was a studio I had
specifically booked at a particular time to avoid conflicting with other
photographers. I also had permission
to use the locations that the photos were taken in.
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Health and safety
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To adhere to health and safety
regulation I performed full recces and risk assessments on both locations for
photoshoots to control or remove any possible risks that were present. In
both locations there were only minor risks around that could easily be
controlled. These were weather considerations and wires that could annoy my
models.
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Copyright
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Copyright
was never really an issue as most photography was taken by myself and the
models had given their permission to be used in the blog and the product.
Since I had borrowed some minor logos off the internet I would obviously ask
permission of the owner to use their imagery in the product. I have produced
all the written content in the articles and product with quotes clearly
high-lighted.
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In my
articles the models were all given release forms to allow me to use their
photos in the product. I never photographed any children nor intended to, as
it was not part of the age group of my audience. All models were teenagers
that had given permission.
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Provide an explanation of how the Press Complaints Commission codes
identified in (A) affected your production and the processes that you followed
to complete your product.
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Code
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Affect.
What could/couldn’t
you do? What subject matter could you follow? What subject matter couldn’t
you include? What processes did you follow ensure compliance with the code?
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1
Accuracy 1
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When
producing my articles I was careful that all the research I had produced was
accurate and taken from reliable sources. This was to avoid writing any false facts or
misleading statements that would get me accused of slander/libel. I could not
include any comments heralding game companies as liars or evil money
stealers. Instead writing about games that they produce and using reviewing
methods to criticise the companies in question.
This was
recorded in content plans and logs where the sources were recorded and the
dates they were found.
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2 Ability
to reply
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When
producing my contents and articles I produced contact details on most
articles promoting a Facebook/twitter account and a magazine email in which
the public could argue with articles written or provide thoughts and opinions
on the subjects covered. There would also be regular updates on the social
networking accounts and emails provided to readers.
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3
Privacy/Harassment
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When
conducting photoshoots I made sure everything was organised and that I did
not continuously alert models or harass them. I never forced any models to
participate and all was voluntary. When recruiting models each filled out a
model release form that allowed me to use their imagery in my product.
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4
Accuracy 3
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This was
the most important constraint in the list as it applies to every comment I
make in my articles. In terms of review I need to make sure that every
opinion I make is labelled as an opinion or written in a way that makes it
obvious. This stops me being accused of slander or libel by criticised
companies.
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5
Discrimination 1
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Now there
is no discrimination at all in my product. It does not mock any race or
religion and is readable by all walks of life. There are no derogatory
comments in my articles and no blasphemous or offensive materials in my
imagery. This means I cannot be
accused of racism or discriminative attitudes in my magazines I have made
sure there aren’t any. Nor would I want to make any in the first place.
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Provide an explanation of how YOUR CLient affected the ETHICAL
direction of your production and the processes that you followed to complete
your product.
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Area of discussion
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Explanation
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Championing
of the North East
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Now my
magazine makes no real reference to the North East. This is a bad thing as my
client would want a magazine that shows pride in the community and this is
achieved through content not direct mentioning. My articles are designed to
console and empower ANYONE regardless of location. I have however used North
Eastern Models and used games design students from Darlington College as
contributors and assessors.
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Local
Accountability
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My
magazine is accountable for the local community as it will feature
advertisements for local companies and will hopefully rally gamers to buy
good games from such retailers. I also cover issues that affect all gamers in
any location and since I make reference to an email address I could easily
reveal the location of the company to an audience who may wish to visit or
contribute to the product.
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Campaigning
ethos
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My
magazine runs a campaign for change and improvement in the industry it
represents. Casting a powerful and sometimes cynical eye on the games
industry and criticising its choices. I have always provided improvements in
my articles and rally the war cry on issues that directly affect the gamer.
This is a general campaign but still is designed for the betterment of the
industry it represents and the local community of gamers who read it.
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Northern
Echo’s audience
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The
northern echo provides products for older, mature readers of about 40+ who
would not necessarily be interested in my product. However if they have an
interest in business then they may read some of the more industry related
articles. Also since parents may give this to their son/daughter then it may
interest them to see what their children spend money on and the types of
games they buy. Also it is not entirely out of the question that adults game
too. The age group makes it unlikely but not impossible. I have kept my content appropriate and
featured no explicit language, hidden meanings nor nudity in the magazines
content to make sure it is aesthetically pleasing to older audiences.
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Journalistic
Integrity
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My
product features high-quality articles, written in a professional manner that
is meant to convey information to the target audience whilst being relaxed
enough to not overpower readers or intimidate. The quantity of content per
article may be a bit high in some cases but it is all relevant material that
is not offensive and not abusive. Each article is designed to cover a certain
topic based on valid research and opinions that have ricocheted through the
community throughout the production phase. I have kept my language clean and
ensured that it is grammatically correct.
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